There's a book about 'Hollywood Portraits' that looks at the classic studio publicity photos of the 1920's to the 1940's, and assumes they were taken with 10x8 cameras and tries to recreate the lighting used by examining the shadows and their relative depths. Who knew, even if they had ever heard of 'Klieg Lights' that there was a condition known as 'Klieg Eye' that any ER doctor today would call 'welder's flash'?
No matter, there were wonderful portraits, dramatically lit. We'd like to know how. Could be Jimmy Cagney:
or Hedy Lamarr:
There are hundreds of these amazing portraits available. A few years ago, Roger Hicks and Christopher Nisperos published a book of the best known, in which they tried to analyze the lighting used. Where was the key light, the fill light, the kicker, the hair light and so on. Not a book of interest to the masses, but fascinating to those who try to make portraits. I re-read that book every so often, and then I try to re-create what the masters did. Lately, I addressed classic 'Hollywood lighting' in which a strong light from above makes a butterfly-shaped shadow under the nose. SO I took a strong strobe mounted high, and then used a continuous CFT fill light from one side to soften the effect. I got a nice photo, but it was nothing at all like my imagined result (this is no 10x8" negative, but an 18x24mm negative, which is half a 35mm frame):
So today I decided to re-create what the golden age photographers did when they used a Polaroid back on their Hasselblad before committing rolls of film to the result. I placed one high strobe, no fill light (you can accurately call that laziness), and set up a digital camera such that it would use the same ISO as my film (not its rated ISO, but the one that works best for the developer I like), the same f-stop, the same shutter speed, and auto-focus on the subject with use of a remote release), who was only me at home as I am under pandemic house-arrest despite triple vaccination of little value as I have no immune system. This is what I got:
I think I might reasonably commit a whole roll of film to that kind of thing next weekend.